Getting caught up on the meet the maker daily posts.
Detail or close up: A lot of my work is best viewed close up, rather than from a distance. My subject matter for my drawings is more personal, and I think getting in close allows the viewer to reflect on their own experiences in relation to the work. Using a digital medium means that up close you can often see digital aspects of the work like a stair stepped line, pixellation or a slight blur to the image. I don’t try to hide these details as I feel it’s part of the medium.
My photography is about the details, and finding a composition within a larger image. The most exciting time for me is when I open an image and immediately see several possibilities. It also leads me to look at the nature around me in new ways.
Less glam side: The less glam side of work for me is the framing and packing art for shipping. It never fails, no matter how many times you give your image the once over, there will be a hair or dust or something that appears from nowhere and requires you to do it again! (…and again, and again) I have to wear a mask when using glass or plexiglass cleaner, which is also not very glamourous.
I have never used as much painter’s tape, bubble wrap, cardboard and packing tape as I have when packing art for shipping. Painter’s tape and cardboard and bubble wrap to protect the front of the frame. Lots more bubble wrap and cardboard corners for the rest, and the right sized box is key to prevent the work from moving around during shipping, to get where its going in one piece. As a rule of thumb, quadruple whatever amount of materials you think it will take. 😀
An artist I follow is participating in an Instagram event called Meet the Maker. I have not yet embraced Instagram, so I will create some posts based on the prompts. As it’s already March 12th, I’m a little late to the game, but regardless it will be fun! Let’s do a little catch up.
Favourite to make: I love all my art children equally, but digital is closest to the charcoal work I used to do, before I could no longer use traditional art materials. There is something about a monochromatic palette that I just love, which is odd since in life I love colour. Photography is what I do for fun. I find I quickly make creative decisions with my photographs, whereas a drawing may take several weeks or more to complete.
How I started: In 2008 I began taking community art classes. I was looking for something to do. I had always admired painters, being a devoted Bob Ross fan in my youth, but for whatever reason never gave it a try. I immediately loved how absorbing painting was, my brain was fully engaged and could not pester me with a thousand worries like it usually did. From community art classes, I moved to the Visual Arts program at the Faculty of Extension at the University of Alberta. There I discovered a love of abstraction, followed by a change from painting to drawing. Thanks to very supportive instructors, I then moved from traditional drawing to digital drawing. In 2018, I graduated with a Certificate in Visual Arts.
Tools and materials: I use apps and my iPhone or iPad to draw. In addition to being very portable, apps are also a very accessible way to be creative. Many are free, although you can upgrade features with in-app purchases. I think the most I spent was $20. Using apps is also very freeing, as many people worry about wasting art supplies as they experiment and learn. You can read more about some of the apps I have used in this post.
Ice continues to be a focus for my photography. Over the Christmas break I was able to get into the river valley and saw the most beautiful ice. It was like fabric, floating on the surface of the water, able to fold and bend in ways that I had never seen before. Unfortunately my phone battery died after only a couple of shots. The next day the temperatures dropped and the ice changed again. One of the things I love about this subject is that very thing – it is always changing.
Winter light is something else that I love. The light is softer and shadows are longer. What time of day you are taking your photos matters a little less. That works for me as I am never out and about at the same time of day. There is still much for me to learn, but I enjoy the experimentation and I am always excited to see what I can make of the photos I take.
As I look outside I see it is snowing. Time to get on the hiking boots, hit the trail and enjoy.
I will be participating again this year in Harcourt House Artist Run Centre’s Art-o-Rama. Come and purchase art for you or for someone you love December 7th to December 9th at Jake’s Framing + Art Gallery 10441-123 Street, Edmonton, AB.
The show offers original, small format works in a variety of media, including: painting, sculpture, printmaking, drawing, photography, glass, ceramics, jewellery, metal design works, and mixed media compositions by leading and emerging artists and designers from Edmonton, Calgary, and Toronto. Excellent as Christmas gifts for big and small budgets!
I will have 3 pieces available for purchase. A portion of the proceeds supports Harcourt House’s art exhibitions and education programs.
Friday, December 7th : Preview (with sales) from 12 pm – 6 pm
Friday, December 7th : Opening Reception (sales continue) from 7 pm – 10 pm with food, cash bar, and music by Bill Damur and the White Cats
Saturday, December 8th : Art Sale continues from 10 am to 4 pm
Sunday, December 9th : Final Day of Art Sale from 10 am – 4 pm
It’s fall, the leaves are now on the ground and although it feels like I haven’t done much in the past months, I do have some new work to show you. Fall is an exhausting time for me, so I find it hard to get motivated to create when I am just so darn tired all the time. We did have some early snow (in September!) where I live and while I hoped we would get more typical fall weather for a while, I am ready for the white stuff again. Once the mould is buried life gets a lot better for me. One of my symptoms of overactive mast cells is an unexplained uptick in anxiety. I hate those moments when I feel it rising up through my body and I have no reasonable explanation for why its happening. There is no discernible trigger, just a sudden feeling of things not being right, followed by a wave that colours the world with dark shadows, sounds that no longer seem familiar and somehow tinged with a sinister edge. Thankfully those moments do not linger for more than a day and I know how to get back on track. They are a reminder to me that I always need to be diligent in managing my chronic illness. You can’t take a break, as much as you’d like to sometimes. I think it’s the same with creating. It’s important to keep at it, even if it feels like whatever you’re doing is no good, because in the next moment it could transform into something amazing.
Making time for art was challenging over the past month. Wrapping up summer activities, getting started with fall ones, it seemed there was not enough time. However, we all know that’s not true. Time was taken up fretting about various things and getting stuck back in old ruts. To bust out of my ruts I picked up Your Inner Critic is a Big Jerk. And Other Truths About Being Creative. by Danielle Krysa at my local library (Danielle Krysa is also the author of The Jealous Curator, a blog I like to follow). A few chapters in and I was feeling inspired to get off my bum and make time to be creative.
It was a beautiful sunny day in my part of the world today (a rarity this month, which has seen more snow than I remember for September in a very long while). On the trail I could actually hear the leaves falling off the trees. So my entreaty to you is to go find somewhere where you can hear the leaves falling, let yourself settle in to the sounds of the woods and just enjoy.
There are many kinds of endings in our daily lives, with some more significant than others. Of the different milestones in life, dating, career, marriage, kids, divorces, and deaths, death is starting to rear its ugly head more often. Another friend of mine recently lost his father, which puts life in the forefront of my mind. Walking in the river valley today, I looked at this tree with different eyes. It immediately struck me as an embrace. The last living limb wrapping around the dying trunk.
Hug your people. Life is short, even when it isn’t.
It being summer, work is a bit more sporadic, but I thought I would share some photos. Now that the bulk of the pollen that bothers me is done for the season, and before the forest fire smoke starts to drift our way, I am out and about more regularly these days. I’m in the process of researching a better camera, which would allow for more details when I crop and abstract my photos. Interested in the newer mirrorless cameras? Check out this review.
There is a pond I visit and I am in love with the plants that are growing in it. I love the whole space really, sitting and watching for frogs, snails and leeches. Sometimes birds will flit in and out of the reeds. Just a great, quiet place to slow down, be still and watch nature.
Once you make the art, you explain the art. As I am working on my anxiety series, I find there is another series developing in tandem. As I said in another post, to me it feels like it is referencing the body in some way. In my other career I worked in hospitals and rehabilitation facilities, and spent my days trying to figure out how what was happening on the inside of the person resulted in what I was seeing on the outside. In my every day life today I am still exposed to the medical world, and I feel these things somehow have coalesced into what I am now calling my Fragment series. When my work happens more organically, I find it a bit of a challenge to put into words what I have drawn. I want to give the viewer some cues about what they are seeing, but I do not want to overload them with a bunch of artistic jibber jabber. (Those who know me know I am not a fan of art-speak in general, as I find it alienating and excluding.)
I was driving and listening to Q with Tom Power this morning, and he interviewed director and actor Sarah Polley. Towards the end he mentioned that she had commented in previous interviews that Polley did not like to talk too much about her art, as she feels it starts to lose its meaning. She prefers to have people experience it. This resonated with me as I recently submitted some work to an art competition. After I completed the submission I started worrying that my explanations of my work were too brief, too to the point. Should I have used the convoluted language that the art world seems to love? Does that somehow impart more professionalism?
To my mind, no, it does not. For this series, for now, I think I have given all the direction I can give, and I will let the viewer experience it. Above is another piece in the Fragment series.
I recently joined a group on Facebook called The WELL (Women Empowering Learning + Leading) and each day is organized by a theme. Sunday’s theme is resilience. This reminded me of a drawing I made titled “Resilience”. Prior to five years ago, I would not have considered the word resilient as a descriptor. When I was at some of my lowest points during my getting sick and being sick phases* I did what I had to do to get through my day. This often meant nothing (i.e. rest), to reduce my reactions, and make me somewhat functional later in the day when those I love returned home. In talking with my psychologist at the time, she used the words resilient and strong to describe me. I didn’t think I was either of those things. I felt like I was hanging on by my fingernails and not being terribly successful at that. After some thought I decided I was resilient and strong, and those words helped me when I had bad days, because I knew that I could mentally pull myself through. (Invisible) Chronic illness is many things, and one of those is a teacher. You learn things about yourself that you never realized (sometimes with some help), you learn what is important to you, and you learn that there are silver linings to be found in upending life as you knew it.